Griffith Park Observatory during the annular solar eclipse.
It’s summertime in Los Angeles (and everywhere else in the northern hemisphere for that matter). Time to hit the beach and The Bowl and spend quality outdoor time with great friends across L.A. County’s 4,000 square miles, from Lancaster to Long Beach. I’ve covered lots of ground already as 2012 is already well on its way to being, yet again, the best summer ever™.
But this is the first summer of Adler Integrated. Yes, myself and a dream team consisting of some of my best friends came together and started a company in January. More on that in my next post (or, uh, we do have a blog). I’m basically doing the same type of work I’ve been doing for some years now, only bigger, better and with more support and collaboration. It’s awesome.
Continue reading “Summertime Get Up, Get Down”
Spotify released a public embed code for streaming tracks from the service on any website. It’s called The Spotify Play Button and I’m testing it out here with the April playlist I created for the office. Check it out below and check out my other Spotify playlists here. (both those I’ve created and those I subscribe to). Some companies, such as FanRx have already begun incorporating the code into artists’ Facebook Pages. This reminds me of Yahoo! music player, which is a simple script that triggers a player to appear when an audio or video file was present in a blog post or more recent versions of similar, such as the Ex.fm extension. The main difference, of course, is that the music is streamed directly from Spotify, rather than an ambiguous (or non-accountable) URL ending in .mp3, which essentially locks in plays to a revenue stream for artists (however minute), assuming Spotify is in fact paying out based on number of plays and not just as a percentage of Spotify subscriptions.
Click here to create a customized Spotify Play embed code.
I’ve been extremely fortunate to have access to Spotify for a couple years now and for the past several months have been paying for the premium service. Now… I can FINALLY stop biting my tongue (or making friends jealous): Spotify opened for business in the U.S. last week! Hit me up with an email if you’d like an invite for the free, ad-supported version. Or go ahead and sign up here if you’re ready to dive in (can’t go wrong trying it out for a month) at $4.99 or $9.99/month for the fully featured desktop streaming or fully-featured mobile syncing respectively.
Read more below — a republishing of the article I wrote for LAist on July 13, the eve of Spotify’s U.S. launch — or read any of my previous posts on the service.
Continue reading “Spotify Streaming Music Service Now Available in the U.S.”
Spotify now offers users various packages for purchasing downloads of the tracks already streamable via the service. A single track goes for $1.29 cents a track but for $50 you can download 100 tracks (that’s 50 cents a pop). The one catch being that all credits expire after 30 days (extendable to 90 days depending on ensuing transactions). Each purchased download can be re-downloaded up to four times.
50 cents is a great deal for the savvy investor, however, many users are sure to get got by simply clicking “Get Album” on, say, the new Beastie Boys’ “Hot Sauce Committee Party Two” and pay $14.28 straight up for the 16 tracks.
The downloads come via 7digital in 320 kbps format.
Alternatively, the digital album goes for $7.99 at Amazon (320 kbps mp3), $10.99 on BeastieBoys.com (in multiple formats including lossless plus a bonus remix), and $14.99 at the iTunes store at 256 kbps AAC (incl. 30 minute Fight For Your Right Revisited video download).
When it comes to this particular release — the choices are so varied it could be a toss up. How would you go about purchasing the MP3 download?