Spotifyreleased a public embed code for streaming tracks from the service on any website. It’s called The Spotify Play Button and I’m testing it out here with the April playlist I created for the office. Check it out below and check out my other Spotify playlists here. (both those I’ve created and those I subscribe to). Some companies, such as FanRx have already begun incorporating the code into artists’ Facebook Pages. This reminds me of Yahoo! music player, which is a simple script that triggers a player to appear when an audio or video file was present in a blog post or more recent versions of similar, such as the Ex.fm extension. The main difference, of course, is that the music is streamed directly from Spotify, rather than an ambiguous (or non-accountable) URL ending in .mp3, which essentially locks in plays to a revenue stream for artists (however minute), assuming Spotify is in fact paying out based on number of plays and not just as a percentage of Spotify subscriptions.
Click here to create a customized Spotify Play embed code.
I’ve been extremely fortunate to have access to Spotify for a couple years now and for the past several months have been paying for the premium service. Now… I can FINALLY stop biting my tongue (or making friends jealous): Spotify opened for business in the U.S. last week! Hit me up with an email if you’d like an invite for the free, ad-supported version. Or go ahead and sign up here if you’re ready to dive in (can’t go wrong trying it out for a month) at $4.99 or $9.99/month for the fully featured desktop streaming or fully-featured mobile syncing respectively.
Read more below — a republishing of the article I wrote for LAist on July 13, the eve of Spotify’s U.S. launch — or read any of my previous posts on the service.
Google took us further into the digital media future with some compelling announcements at the fourth annual Google I/O developers conference in San Francisco this week. Recent Google I/O keynotes seem silly in retrospect — both Google Wave and Buzz were epic busts. But this year Google narrowed its focuses to it’s strengths, namely the Android mobile operating system and the Chrome browser and operating system. The gist was this: Use Google’s web-based tools and applications, combine with seemingly infinite storage space in the cloud, and bulky hard drives and desktop PC’s will become mere artifacts of our technological evolution. A Google account combined with a device running Android or Chrome OS will be all you need to do [almost] anything.
Google officially announced its long-rumored streaming-from-the-cloud music app for Android and the web at Google i/o at Moscone Center in San Francisco. It’s currently free (it is in beta after all) — request an invite at music.google.com. No comment on whether or not Google has come any closer to offering streaming legally, as licensed by the labels and publishers. Another exciting announcement — you can now rent videos on Android Market at http://market.android.com/movies. You have 30 days to stream each rental via web or mobile tablet or phone ($1.99 – $3.99 per rental).
In other news from the opening keynote: To date there have been:
* 100M Android activations
* 400,000 daily activations on 215 carriers
* 200,000 available apps on Market
* 2 years to 1 billion app installs
* 5 more months to 2 billion
* now 4.5 billion app installs from Android Market
Honeycomb 3.1 coming soon to all devices
Ice Cream Sandwich – new Android OS – 2.4 – coming soon
…and all 5,000 attendees at Google I/O are receiving the Samsung Galaxy Tab 10.1 tablet (a special-edition model, a month before it hits stores)!
[nggallery id=8] Click on thumbnails to view full image
Digital Hollywood took over the Ritz at Marina del Rey for its Spring 2011 conference, a nice change of scenery for the hundreds of studio execs, advertising and entertainment execs, online video creatives, technologists, SAG members and agents in attendance. (Members of the Dallas Mavericks, who could be spotted in and around the pool area, apparently enjoyed their stay as well).
Between absorbing the latest trends as discussed by multiple panels we managed to interview a few executives from top online media companies.
In the video below, Ooyala’s Vice President of Biz Dev, Chris Wong, explains the importance of streaming video solutions providers, why most companies require DRM (digital rights management) to control copyright, and ponders the meteoric rise of Netflix and the potential impact of its competitors.