The lights went out last time Calexico visited Los Angeles. Fans at the Fonda Theatre waited for hours in darkness, but a Hollywood Boulevard power outage literally stole the show. “My parents were there, my sister and the whole label and we’re all sitting in the dark,” said Joey Burns, singer and guitarist for the band. “I loved every moment and we probably could’ve played acoustically, but there were safety concerns.”
Calexico’s seventh long-player, Algiers, had recently dropped, marking the band’s first opportunity to play live for its new label, Anti. But after a short acoustic song, Burns bid the remaining crowd good night with a promise to return in January. And tonight, Calexico makes good on its promise at the El Rey.
Spotifyreleased a public embed code for streaming tracks from the service on any website. It’s called The Spotify Play Button and I’m testing it out here with the April playlist I created for the office. Check it out below and check out my other Spotify playlists here. (both those I’ve created and those I subscribe to). Some companies, such as FanRx have already begun incorporating the code into artists’ Facebook Pages. This reminds me of Yahoo! music player, which is a simple script that triggers a player to appear when an audio or video file was present in a blog post or more recent versions of similar, such as the Ex.fm extension. The main difference, of course, is that the music is streamed directly from Spotify, rather than an ambiguous (or non-accountable) URL ending in .mp3, which essentially locks in plays to a revenue stream for artists (however minute), assuming Spotify is in fact paying out based on number of plays and not just as a percentage of Spotify subscriptions.
Click here to create a customized Spotify Play embed code.
I’ve been extremely fortunate to have access to Spotify for a couple years now and for the past several months have been paying for the premium service. Now… I can FINALLY stop biting my tongue (or making friends jealous): Spotify opened for business in the U.S. last week! Hit me up with an email if you’d like an invite for the free, ad-supported version. Or go ahead and sign up here if you’re ready to dive in (can’t go wrong trying it out for a month) at $4.99 or $9.99/month for the fully featured desktop streaming or fully-featured mobile syncing respectively.
Read more below — a republishing of the article I wrote for LAist on July 13, the eve of Spotify’s U.S. launch — or read any of my previous posts on the service.
One recurring theme in many of Rev. Dr. Martin Luther King, Jr’s speeches that always inspires involves the job of street sweeper as a parable for self-fulfillment. I’ve always admired Dr. King’s ability to affect not just churchgoers or civil rights activists but humans of all kinds, secular and otherwise, and the “street sweeper” element and its metaphorical allusions to the arts is my favorite example of this.
…[E]ven if it falls your lot to be a street sweeper, go on out and sweep streets like Michelangelo painted pictures; sweep streets like Handel and Beethoven composed music; sweep streets like Shakespeare wrote poetry…
This sentiment is reminiscent of the anonymously-penned poems, “Be the Best of Whatever You Are,” (often attributed to Douglas Malloch) which Dr. King cites in the sermon. In my searches tonight reflecting on Dr. King, I really appreciated how he introduced the street sweeper at the 50th anniversary of Alpha Phi Alpha in Buffalo, 1957 – “The Birth of a New Age.” A great blueprint for any commencement speech.
“We need more people who are competent in all areas and always remember that the important thing is to do a good job. No matter what it is. Whatever you are doing consider it as something having cosmic significance, as it is a part of the uplifting of humanity. No matter what it is, no matter how small you think it is, do it right. As someone said, do it so well that the living, dead, or the unborn could do it no better.
More and more multimedia from Dr. King’s sermons and speeches in the ’50s and 60s continues to crop up and it’s sometimes stunning how much more impact the words have when spoken by the reverend himself as opposed to reads on the written page or website.
I could not find the Buffalo ’57 audio, however I came across audio of a King speech that includes the street sweeper riff in the King Institute archives at Stanford. This 3.5-minute clip was taken from the full “The Three Dimensions of a Complete Life” sermon delivered at New Covenant Baptist Church, Chicago, Illinois, on 9 April 1967. Another recently web-published sermon of note is this one from Temple Israel, a Jewish synagogue in Hollywood from 1965 which popped up a few years ago.
In addition to the King Institute archives, find more audio of Dr. King’s speeches here, here, and here.
In February of 2005, WNYC – New York City’s main NPR station, launched its first episode of Radiolab with Jad Abumrad. OK, actually the first episode was months earlier. Abumrod had actually produced numerous Radiolab-like segments since joining NPR in 2002, many on Kurt Andersen’s amazing, long-running Studio 360 program.
Radiolab is a workshop in the aural experience – it is, at its core, a program that explores the essence of radio, from story arc to research to interview to post-production and mixdown. Any given episode will surprise you in its clarity, weirdness, and attention to detail. My first reaction to listening — I became a regular listener to the podcast (you can subscribe here for RSS, xml, or iTunes) in 2005 — was amazement at how much effort, creativity, and likely attempts at perfectionism went into the editing and remixing of the audio. An hourlong Radiolab is without fail a stimulating and thought provoking experience, rooted in the great voices, delivery, and smartypants adeptness of hosts Jad Abumrod and Robert Krulwitch.
My love affair with this program is capped by how well it uses the latest technology – since the early days of podcasting, Radiolab has been made available in multiple formats for download and streaming as well as across many NPR member stations nationwide. We’ve come to expect this from NPR programming since the grand ol’ days of RealAudio streams. But this show stands apart in that it takes the story and the sound and the experience to extreme levels, show after show.
I don’t have a TV nor do I care to watch one. I listen to programs like this. Stock up your music-playing receptacle with multiple episodes from the archives before your next road trip and you will not be disappointed. Even P Diddy listens to Radiolab twice.
Finally, music… Musical Language (mp3) just reading the first graf of the show notes is mesmerizing as it is:
What is music? How does it work? Why does it move us? Why are some people better at it than others? In this hour, we examine the line between language and music, how the brain processes sound, and we meet a composer who uses computers to capture the musical DNA of dead composers in order to create new work. We also re-imagine the disastrous 1913 debut of Stravinsky’s Rite of Spring…through the lens of modern neurology.