GooTube: Impending Doom? For Users, Maybe

In the same breath as pocketing a cool $1.65B in Google stock, licensing and copyright-protection agreements were made with the likes of Warner, Sony/BMG, Universal, CBS (it’s looking like one singular beast of a media mongrel at this point).

You Tube has been all the rage for it’s year-and-a-half existence, but — isn’t YouTube’s success primarily a result of its lax oversight and takedown policies? Surely, Chad Hurley and his couple dozen of employees at You Tube don’t care anymore — as long as they sell their Google stock in the near future. But once you can’t get anything you want on You Tube, the traffic will most naturally channel itself elsewhere.

Alex Veiga wrote about this today for the AP, and the article‘s a good read, complete with a variety of quotes. The basic drift is:

[R]ecent agreements with high-profile content creators require YouTube to deploy an audio-signature technology that can spot a low-quality copy of a licensed music video or other content. YouTube would have to substitute an approved version of the clip or take the material down automatically.

Veiga predicts that YouTube’s anti-piracy platform will resemble the nightmare watermarking techniques of Audible Magic. Competitor Guba uses content-comparison software called “Johnny” to filter out copyright infgingements on videos uploaded there.

CJR’s Gal Beckerman says the deal is “doomed just because it is.” YouTubers are “gravely concerned,” summarizes another article.

The real winners here are the VC’s, like Sequoia Capital, which invested 11 million into YouTube and come out of the deal with a whole lot more, writes Staci of Paid Content.

Sure, Google and YouTube will most likely come out OK. The real losers, however, are the users — that is to say everyone save for the handful of jackasses makin a mean living by hording and raping other people’s property (not the kind of OPP that any content producer or consumer would be down with).

Is Google lining up to be the darling sweetheart of government-sponsored corporate Internet ownership? Google does publish a little one-sheet guide to Net Neutrality, deep in their help section). I’m guessing there aren’t many Save the Internet badges floating around Mountain View.

(Apparently you’ll never find out what’s going on at Google if you’re using Yahoo Maps). Which reminds me of a prank Yahoo! pulled when they launched their new Maps beta last year. The address for Google was listed as “The Dude’s Fish Store.” It’s hilarious — read about it here. Perhaps the grey boxes on Y!Maps are just retribution.)

Day Against DRM

Defective by Design has designated today (Oct. 3) Day Against DRM Day.

Digital Rights Management licenses, watermarks, and sabotaged appliances should be avoided at all costs today as a general statement against DRM. DRM and its growing acceptance as a “protection” for copyright holders and corporations alike, creates fear and levels creativity. The fact that Sony was allowed, last year, to get away with their rootkit, is one example of how DRM enables surreptitious corporate crime, while strangling and discouraging the freedom to express and create.

DBD notes 10 Things you can do in recognition of Day Against DRM Day here (one of which is to include this link wherever you can). Also, watch videos highlighting the problems with DRM. Check out the Day Against DRM Flickr photo pool slideshow:

Warner to Send Videos Thru YouTube

woutube is warner plus youtubeIn a potentially groundbreaking move for the music / entertainment industry, Warner Music Group is set to announce an deal to distribute copyrighted content through the video upload/download/streaming megahub, YouTube.

Details are still emerging, but interesting provisions have already been leaked regarding the preemption of inevitable remixing and mashing. YouTube has apparently developed royalty-tracking software that promises to “detect when homemade videos are using copyrighted material.” Somehow, the technology will enable Warner to maintain ownership control and “review the video and decide whether it wants to approve or reject it.”

“Technology is changing entertainment, and Warner Music is embracing that innovation,” said Warner Music Chairman Edgar Bronfman Jr. “Consumer-empowering destinations like YouTube have created a two-way dialogue that will transform entertainment and media forever.”

An interesting twist to a weekend that began with Universal Music Group’s head, Doug Morris, flat-out cursing out YouTube and similar Web sites as “copyright infringers.”

Read the entire A.P. article (source).

MORE: TechCrunch, PaidContent. Buy the rumor, sell upon the news?

UPDATE: NYT’s article quotes Sonific CEO Gerd Leonhard:

“The record companies are realizing their game is completely lost in terms of controlling the market,” Mr. Leonhard said. “Digital sales aren’t picking up as they should. If they don’t play ball now, they’re going to sit by themselves while everyone else is using their content for nothing.”

PLUS: Peter Kafka in Forbes on the adolescence of YouTube.

Greenwald’s ‘Iraq For Sale’

Critics and grassroots enthusiasts are already calling Iraq For Sale the finest work of Robert Greenwald, he of Outfoxed and Walmart fame.

Reuters leads with:

A new film uses the $45 six-pack of Coke to open another front in the political battle over Iraq, decrying what it calls profiteering and incompetence by defense contractors with the right political connections.

Check out Link TV’s review/interview w/ Greenwald. Advance reviews from: Arianna Huffington, Steve Johnson (Tribune), Jeannette Catsoulis (NYT).

It’ll be out Sept. 26. Here’s the trailer: