I’ve already posted these at LAist but thought I’d go into a bit more detail here. I caught the Raveonettes after literally getting thrown onto (not under) the bus, by Kyra who was hosting day parties Thursday and Friday at Red Eyed Fly with Little Radio.
It’s definitely a spectacle to see every side of a festival that includes 1700 bands, some 100+ venues and all of the labor, scheduling, and moving about that it entails. It’s not uncommon for bands to play 3 or more sets in a day during SXSW. So it’s crucial that the bands and their crews are on time and expedient and for the most part — this was the case. Little Radio’s setup at Red-Eyed Fly was an ADD-dream-come-true, with an outside stage and an inside stage, each with staggered 25-40 minute sets so that there was never a quiet moment. Red Eyed Fly was another establishment that participated in one of the the biggest — likely the tastiest — cocktail promotion I saw throughout Austin: The Dewars and Ginger Ale. All I could think was that someone finally set Dewars straight at a focus group… you CAN mix scotch with Ginger Ale, and it’s even tastier and more special if it’s with something like Reed’s Ginger Beer.
Anyone who heard me DJ or received a mix from me circa 2005 knows that The Raveonettes “Love in a Trashcan” is a favorite. So it just worked out perfectly that it was the song they performed when I turned on the camera.
Just come on down, BarCamp is free (thanks to sponsors) and its fun. Day one is winding down but many are expected to hang long into the night (geeking out with DJ’s, werewolf and Wiis) and even sleep here at the spacious Little Radio Warehouse. There are four presentation spaces and two breakout areas where sessions thus far have included:
— Foodies: Classically Trained Cook Chef Joanna answers your culinary questions — How to create disruptive content: Make your own online comic book. — Fight Back: Know Your Rights in California Moving Violations — Fight Them & Win! — Photography, Galleries, and Administration
We’re especially looking forward to PowerPoint karaoke, after dinner, in which 5 volunteers will each take their best shot at presenting a PPT presentation they’ve never seen before. Audience applause will determine the winner, who (we hope) will already be drunk and make a total fool of themselves. Photos as-it-happens posted here.
Stopping just short of demanding abstinence from its Opinion column contributors, the LA Times most likely paid a pretty price to scrounge together today’s “Current” section.
Case in point: The lead column is by the venerable Daniel Hernandez, the 26-year-old LA Weekly staff writer who left the Times last year. Why? Because, as he told us last August, the culture of the Times was exhausting and unfulfilling. He felt he was “challenging the institutional and cultural barriers of an ultimately very conservative place.” And this was before Herrs Hiller and O’Shea showed up. Hernandez seemed to kiss off the Times once and for all in a December Weekly column, which only reinforces how desperate Timespublisher David Hiller must be.
Ah, but we digress. Hiller deemed it necessary to scrap this week’s all-but printed “Current” because the section editor (Andrés Martinez) makes out with an LA girl involved in media (in this case a publicist for Brian Grazer, who guest-edited the unprinted section). But without even pausing to laugh at himself, Hiller ass-kissingly announced his “hope [that] there will be an avenue to bring these creative, thoughtful and insightful pieces to our readers in the near future.”
This is hardly Clark Kent and Lois Lane. We hope you paid your former staffers, like D. Hernandez (who could have written his column in his sleep) big bucks. He deserves it and so do we. Because LA needs to hear from its many voices, be it Grazer or Hernandez. Some respect, please, Mr. IMAGE man “(Showing off what L.A. does best“). Quit messing with what LA really does best.