Interview: Ooyala’s Chris Wong on Trends in Online Video and Advertising

Digital Hollywood took over the Ritz at Marina del Rey for its Spring 2011 conference, a nice change of scenery for the hundreds of studio execs, advertising and entertainment execs, online video creatives, technologists, SAG members and agents in attendance. (Members of the Dallas Mavericks, who could be spotted in and around the pool area, apparently enjoyed their stay as well).

Between absorbing the latest trends as discussed by multiple panels we managed to interview a few executives from top online media companies.

In the video below, Ooyala’s Vice President of Biz Dev, Chris Wong, explains the importance of streaming video solutions providers, why most companies require DRM (digital rights management) to control copyright, and ponders the meteoric rise of Netflix and the potential impact of its competitors.



Click here to view on YouTube.

New Radiohead: Pay What You Want

Another stroke of brilliance from Radiohead is on the way… and in possibly their most genius move yet, it is being released independently by the band — that’s right, sans label, and one would assume sans DRM as well. The download can be pre-ordered for _.__ — or whatever you decide you want to pay! More genius, the CD will not be available until December, but the digital download releases October 10 — in ten days!


Radiohead — In Rainbows.

Steve Jobs Calls For an End to DRM

Following up on the few comments in class on DRM (Digital Rights Management)-protected files, Apple CEO Steve Jobs wrote a lil essay today titled “Thoughts on Music.” Web users and digital media companies have been calling for an end to DRM for some months now as has nearly everyone short of the RIAA, which represents the big 4 labels comprising the recording industry oligarchy.

There has been a flood of blog posts today that try to decipher exactly what Jobs is getting at. Is this a mea culpa? Chest-beating? A cryptic call to direct negotiations with the majors?

The biggest nugget in the essay is Jobs’ claim that, should the labels agree to drop current DRM, the iTunes store “switch to selling only DRM-free music,” which means it would be compatible with all music players, among other things. Personally, I’d be shocked if the labels and the RIAA agreed to anything close to this. On the other hand, after the success of the iPod, Apple really has the consumer in it’s core — does Jobs have the entire entertainment industry up his sleeve as well? We shall see. He’s already down with Disney, and a copyright/content deal with the majors (like Google/YouTube recently did) is not an impossibility.

Other reasons Jobs is making what appears to be his first ever blog post could relate to a digital music antitrust lawsuit alledging that Apple “locks” consumers into its platform. Jobs lays out these three scenarios:

1) stick with DRM. Apple keeps winning.

2) Apple licenses its FairPlay DRM system (which was devised at the behest of the labels).

3) The music industry agrees to license their music to online stores without DRM.

Below is a bit more from Jobs’ essay:

…Some have called for Apple to “open” the digital rights management (DRM) system that Apple uses to protect its music against theft […] Today’s most popular iPod holds 1000 songs, and research tells us that the average iPod is nearly full. This means that only 22 out of 1000 songs, or under 3% of the music on the average iPod, is purchased from the iTunes store and protected with a DRM. The remaining 97% of the music is unprotected and playable on any player that can play the open formats.

Cory Doctorow and others are optimistic about this “big news.”

Hypocritical Media Hogs and Their Digital Hang-ups

The other day I blogged about Edgar Bronfman’s disclosure that he spanked his kids (or something) for all the music they illegally downloaded.

Now Reuters’ MediaFile blog details the iPod obsessions of the media moguls who attended last week’s Reuters Media Summit.

The follow-up questions aren’t printed, but I’m gonna go out on a limb and assume that these big-timers took advantage of much of this digital media free-of-charge, and most likely with comped iPods as well. Plus, they’re all hooked on TiVo and/or satellite radio, wisely avoiding the endless spew of lame adverts for, uh, TiVo and iPod (and Chevy). Check these excerpts and ask yourself if these cats have ever dropped a dime on a rhyme:

Richard Parsons, CEO / Chairman, Time Warner: “I like music. I have iPods everywhere. I had the whole bunch of (the Warner music collection) files put on before we sold it….”

Dick Cook, Chairman, Walt Disney Studios: “…For fun, I have a little iTunes and that kind of stuff. The only time I get to read books is when I listen to it so I have a lot of books on iTunes.”

JEAN-MARIE DRU, CEO, TBWA/CHIAT/DAY WORLDWIDE: “…I have five kids, so we are 7 at home and we have more than 15 or 16 iPods in the family.”

Ah, behold the aristocrats pirates of megalomediahackland.

Originally posted in the Set-Top Cop blog on December 3, 2006