An 18-minute Katrina documentary will be screened at 8pm, introduced by the (Venice-based) filmmakers.
3 bands will perform! Le Switch, Big Moves, and Hiram Rimmer. Stranger Danger DJ duo will bookend the night’s music to keep us dancing until bar close at 2. Bar opens at 5 for happy hour. Event start is 7:30.
There will be an entire room of art inspired by and depicting the Gulf Coast from Katrina in August 2005 to the present day Oil Spill disaster. Some will be available for a charity auction.
HOW MUCH: Just $10 toward a fund set up specifically for this CitizenGulf National Day of Action. Citizen Effect and Catholic Charities of New Orleans will put forth all of the proceeds from these 20 events toward extending an after school program that was started in New Orleans after Katrina into coastal parishes and provide fifty children with a safe environment that will give participants access to interactive learning opportunities, self-esteem building workshops, therapeutic art activities and other activities and services needed by the children affected by the spill.
It’s really just another lesson in why you should never but an exact public date on a launch. Of course in this case it’s the date for a “disappearance” or removal, but as I predicted last month and as has occurred in the past, Facebook is once again guilty of writing threats on innocent people’s walls and then neither following up on them, nor cleaning up.
Without meaning to be too critical — I’m just sayin’. And, as long as I can have this badge on my wall it would be nice if my friends could still use it to click through and learn more about the, uh, Cause!
In February of 2005, WNYC – New York City’s main NPR station, launched its first episode of Radiolab with Jad Abumrad. OK, actually the first episode was months earlier. Abumrod had actually produced numerous Radiolab-like segments since joining NPR in 2002, many on Kurt Andersen’s amazing, long-running Studio 360 program.
Radiolab is a workshop in the aural experience – it is, at its core, a program that explores the essence of radio, from story arc to research to interview to post-production and mixdown. Any given episode will surprise you in its clarity, weirdness, and attention to detail. My first reaction to listening — I became a regular listener to the podcast (you can subscribe here for RSS, xml, or iTunes) in 2005 — was amazement at how much effort, creativity, and likely attempts at perfectionism went into the editing and remixing of the audio. An hourlong Radiolab is without fail a stimulating and thought provoking experience, rooted in the great voices, delivery, and smartypants adeptness of hosts Jad Abumrod and Robert Krulwitch.
My love affair with this program is capped by how well it uses the latest technology – since the early days of podcasting, Radiolab has been made available in multiple formats for download and streaming as well as across many NPR member stations nationwide. We’ve come to expect this from NPR programming since the grand ol’ days of RealAudio streams. But this show stands apart in that it takes the story and the sound and the experience to extreme levels, show after show.
I don’t have a TV nor do I care to watch one. I listen to programs like this. Stock up your music-playing receptacle with multiple episodes from the archives before your next road trip and you will not be disappointed. Even P Diddy listens to Radiolab twice.
Finally, music… Musical Language (mp3) just reading the first graf of the show notes is mesmerizing as it is:
What is music? How does it work? Why does it move us? Why are some people better at it than others? In this hour, we examine the line between language and music, how the brain processes sound, and we meet a composer who uses computers to capture the musical DNA of dead composers in order to create new work. We also re-imagine the disastrous 1913 debut of Stravinsky’s Rite of Spring…through the lens of modern neurology.