This week’s Google I/O keynote fiesta brought plenty of big, exciting, game-changing announcements, but nothing more immediately exciting to me than the launch of the Google Font API (Read Google’s blogpost). Suddenly adding sleek, new fonts to any web page is as easy as visiting the Google Font Directory, copying, pasting, and voila.

There are a few key reasons why I’m so excited about this and I’ll elaborate a bit below:

1. The fonts are all open source-licensed
2. It works on all current browsers (cross-platform)
3. The fonts are cool and the possibilities are endless

There might be hundreds of fonts pre-installed on your Microsoft Office or Adobe Creative Suite software, but only a fraction of these will be recognized by most web browsers. Standards take time to develop and our perception of time in the web era is ridiculously skewed. It’s been less than 15 years since Netscape 2.0 became the first widely used browser to support tags in the first place! 1995 was also the year that the first standard HTML spec was published (HTML 2.0) and around the same time momentum started building for a CSS standard. In the earliest days of the web as we know it, it was all Times New Roman all the time.

I Just noticed this for the first time moments ago — the first fruits of the Facebook / Eventbrite partnership that was sealed last month. I believe this is somewhat of a first for Facebook — actually marrying an exclusive partner into enabling event payments. It sure seems to be part of an ongoing trend — Facebook began taking PayPal payments in mid-February. Why not just incorporate PayPal into Facebook events? It probably wouldn’t be as messy as the Eventbrite link-up is, at least at launch. For months Eventbrite has leveraged Facebook Connect and users’ propensity for cross-posting about events they had RSVP’d for — one of the more effective uses of Connect, to bolster paid registration by maintaining a presence on users’ Facebook News Feeds. If nothing else this proves Eventbrite to be a winner in the who-will-be-the-next eVite.com sweepstakes.

But is this just a test? Is it just a partnership or a precursor to acquisition? Will we see gold coins? Remember, Facebook once co-opted iLike and renamed the iLike app THE “Music” app. iLike was later acquired by MySpace (last August) and now the iLike-powered music app is about to vanish from everyone’s Facebook wall.

Music no more?

It is also now impossible to feature photos and videos in an event post — another sign that Facebook is looking to focus on paid event implementation. Any photos I post as an admin show up on the wall but they will not appear by default as new comments take precedence. Let’s walk through the Eventbrite + Facebook process. It’s not at all intuitive from either the event host or user point of view and in fact, it isn’t truly implemented into Facebook — it’s little more than a link to Eventbrite.

After ticking the box that I want to use Eventbrite for paid tickets and clicking submit, I’m returned to the event page. Very confusing — there is no immediate gateway or transition to setting up ticket prices, etc. After looking around I see the “manage tickets” text in the menu at the top right.

Clicking on that opens up facebook.eventbrite.com in a new tab (or window depending on your browser config) which has the graphic below.

This feels a bit foreign — why must I connect to Facebook when it seems like I’m already using Facebook? I guess at this point Facebook assumes the average user is already accustomed to repeated login and FB Connect prompts but it seems to me, that the typical Facebook user is likely not familiar with Eventbrite. I Connect.

The instructions here are clear and the boxes are easy enough to enter data into. But the Eventbrite newbie is going to be shocked by the Ticketmaster-esque 25% per-ticket surcharge. Who is going to charge $5 for an event? Facebook users are not accustomed to charging anything for events — at least not via Facebook — and if you’re having a kegger (and Keg cup is one of the suggested ticket names), a good alternative to free is a $5 donation, it adds up. Eventbrite’s surcharge is 99 cents + 5.5% per ticket – so it’s only $2.09, or 10% on a $20 ticket (but there’s nowhere to find that info on the Facebook.Eventbrite.com page).

Next. I’ll assume I can just keep the incoherent, Facebook Connect generated email in the email field and hey, if you want to reach out, you can always hit me at this crazy address, apparently.

And here’s the biggest disappointment of all: Nothing shows up on the Facebook Event page. If you RSVP “attending” you can optionally click to purchase tickets, which takes you to a very nondescript Eventbrite page in a new tab. Why don’t I just write in my own link to pay me via paypal or rsvp via eVite? Very underwhelming, Facebook.

UPDATE: This feature disappeared not long after I posted this. Good thing I had screenshots to prove that I wasn’t hallucinating from overexposure to Facebook. Read my follow-up post here.

Not finding this too funny. Perhaps it will be on November 5th.

Google did a nice blog post today and mashed up some voter registration [mobiletools as well. Project Vote Smart developed a comprehensive API to access information for your own election/vote related mashup can be had And if you’re a sucker for celebrities and whitespace, Google’s got 5 minutes:

In brainstorming for tomorrow’s

DIY LICENSING & DISTRIBUTION PLATFORMS

— SNOCAP — http://snocap.com
— RouteNote — http://www.routenote.com/
— ArtistShare – http://artistshare.com/home/default.aspx
— http://cashmusic.org/
— http://youlicense.com
— http://licensequote.com
— http://severedfifth.com
— http://www.fina-music.com/

SOCIAL PLATFORMS for FANS and ARTISTS:

— Buzznet — http://buzznet.com
— ArtistDIRECT — http://artistdirect.com
— TunesBag — http://www.tunesbag.com/
— HobNox — http://hobnox.com
— Eventful — http://eventful.com
— Gruvr — http://www.gruvr.com
— Jambase — http://jambase.com
— AnywhereFM — http://www.anywhere.fm/player/
— MySpace Music (whenever it *really* launches)
— Seeqpod, MusicBrainz, iLike, iMeem, etc.
— even more tools (the Mashable list)

DISCOVERY:

The New Zune firmware / Marketplace (FM click to purchase and recommends) — http://www.microsoft.com/Presspass/default.mspx
http://www.archannel.tv/
http://www.deezer.com/
http://amalgamdigital.com/
http://alterhit.com/
http://www.soundflavor.com/
http://www.jogli.com/
http://www.songza.com/

http://www.signalpatterns.com/

WIDGETS & APIs

Y! Media Player — http://mediaplayer.yahoo.com/
MusIcon — http://www.muzicons.com/
FineTune — http://finetune.com
MixWit — http://www.mixwit.com/
Music-related APIs — http://www.programmableweb.com/music
Y! Audio Search API — http://developer.yahoo.com/search/audio/
Music DNS API — http://www.musicip.com/dns/
MusicBrainz API — http://wiki.musicbrainz.org/XMLWebService
Seeqpod API — http://www.seeqpod.com/api.php?music_discovery#Disco_Rex
Gruvr API — http://gruvr.com/developers/

FILESHARING & MP3 DIRECTORIES

— Dropbox — http://getdropbox.com
— Media Master — http://mediamaster.com/
— HypeMachine — http://hypem.com

FINANCING / LICENSING MUSIC w/ SOCIAL Media:

— http://www.alleyinsider.com/2008/9/could-payola-save-online-radio
— http://blog.wired.com/music/2008/09/major-label-see.html – Former Label Exec Sees Future Outside Music Distribution
— Monetizing / Licensing music via Creative Commons: http://ccmixter.org/, http://freesound.com, http://www.podsafeaudio.com/, http://opsound.org/
— Free vs. ad-supported vs. Subscription models. Subscription tied to Hardware (Nokia, Lenovo, GM, etc) or to Operating system / software (Zune, iTunes)
— Pairing bands with advertisers based on social demographics

Cool use of the Google Social Graph API, but I’d say needs more variables. There’s no way I’m more Internet famous than Julia Allison (I scored 1879), who not-so-coincidentally is this month’s Wired cover: