“I hope that ForYourArt can be a resource for people to not only know what’s going on in L.A. but also to find that inspiring context that they can delve deeper into,” she said.
2011 has already been a strong year for art in L.A. but just wait for the fall: Pacific Standard Time, a collaboration between over 60 arts organizations with exhibits from San Diego to Santa Barbara. The first project of its kind in L.A., Pacific Standard Time, opening in October, is the result of nearly a decade of research by the Getty Institute and comprises a veritable history of the rise of art culture in Los Angeles over the years 1945-1980.
Shepard Fairey first collaborated with Lance Armstrong in 2009, designing a TREK Madrone bicycle in the iconic yellow and black colors of Armstrong’s charity, Livestrong. Armstrong’s team rode it in the Giro d’Italia before it went for over $100,000 in an auction benefiting Livestrong. Now, Fairey’s at it again, this time working in his signature red and black tones. Armstong and Team RadioShack are currently riding these Trek Madone 6.9 SSL bikes on the Tour of California. Below, an interview with great shots of the bike from inside Fairey’s Studio Number One at Sunset and Elysian Park Ave.
But wait, there’s more. Shepard Fairey was approached by Death Cab for Cutie bassist Nick Harmer to reinvent the band’s upcoming single, “Home is a Fire” as a video with lyrics appearing as street art across the Echo Park cityscape:
I interviewed Cole Sternberg (no relation) last weekend at the unveiling of his new installation. I love the theme and concept of the work, however, i can’t possibly imagine taking the time to rewrite such asinine content all over someone’s walls, ceilings and floors. Cole did it over the course of seven months at a back house on the residence of Normandie Keith in the Hollywood Hills. The 24-hour newscycle, gossip media, and technology such as Twitter has brought the future into our laps and shirt-pockets. Cole calls this a “vision for this apocalyptic moment when media and technology have pushed us so far that all the content blurs together.”
Video and interview below as well as photos from the event.
These may be the kinds of phrases you mumble while driving around Los Angeles wishing the few open parking spots weren’t so far away and didn’t have $4/hr (incl. Sunday) meters. But what if those six-part, multiple-infraction, day-and-time sensitive parking signs in Hollywood were replaced with something more sensible?
The Lightning in a Bottle festival returned Memorial Day weekend after a one-year hiatus bigger — and better — than before.
We’ve come to expect The Do Lab to only go big, bold, and beautiful in their multi-platform, lifestyle-agnostic, installations and event productions. We’ve been dazzled by The Do Lab-produced Lucent Dossier Experience, the Do Lab Tent at Coachella and Lucent L’Amour Valentine’s love-fest. But Lightning in a Bottle – in it’s ninth iteration – is the sum of all parts and yes, the sensory overload can be thrilling.