Congrats to Chris Lydon’s Open Source Radio for winning a $250,000 MacArthur Fellowship!
This grant not only recognizes Open Source for its top-notch, hourlong, nightly public radio show (and internationally popular podcast, but, also “‘in support of the innovative use of internet-based tools in the production of a daily public radio program.'” Brandon of Open Source said:
[T]heyâ€™re developing tools at Open Source that are going to be useful in the future to a lot of people. People in public radio, people in public television, people tiptoeing toward that fantastic beast weâ€™re beginning to call â€œpublic media.â€
Congrats and keep up the good work. Hopefully soon we’ll hear you not only via podcast but also on Southern California Public Radio.
Thomas Friedman is a moron. The guy is still traveling around touting his dated pipe-dream World is Flat book. Eerily reminiscent of the misinformed-but-sticking-with-it administration to which he’s been an advisor. I was hoping someone would step up to the mic when he visited USC on Monday, and ask: “Is there any free trade agreement you would not support?”
But he didn’t have time for the students, apparently, and kudos to the Daily Trojan‘s editors for calling him out.
Speaking of the DT, Zach Fox really gave it to the USC admin in this Op-Ed:
While the student editors and reporters who work for this newspaper are free to print whatever they wish, calling the Daily Trojan a student newspaper is like saying the Tribune Co.-owned Los Angeles Times is independent.
Now sleep on this….
A former Canadian defense minister is demanding governments worldwide disclose and use secret alien technologies obtained in alleged UFO crashes to stem climate change, a local paper said Wednesday.
One of the best records of the year cannot be found in stores. It’s not available on iTunes. Last Tuesday, Tim Fite released “Over the Counter Culture” exclusively on his Web site. For free.
Fife is signed to Anti-, the record label currently responsible for releases from such stalwarts as Tom Waits, Nick Cave, Neko Case, and Mavis Staples. But “OTCC” is just too anti-establishment and anti-commercial to NOT be given away for free. Greg Kot of the Chicago Tribune wrote an in-depth profile:
“This record is a soundtrack for war, and in many ways it’s a soundtrack for a war that’s waging within everyone,” Fite says. “There’s the war outside, but then there’s the war inside ourselves about how much we acquiesce to market culture. That’s what the record was about for me, finding out what I’m fighting against and being truthful with myself about what I allow myself to fall victim to.”
Interview w/ Fite on “Sound Opinions — why he was inclined to go the DIY route with this particular content (press play):